Promoting an international beer culture that recognises and celebrates beers of quality, distinctiveness and local character, brewed with care and passion.
Best beer and travel writing award 2015, 2011 -- British Guild of Beer Writers Awards
Accredited Beer Sommelier
Writer of "Probably the best book about beer in London" - Londonist
"A necessity if you're a beer geek travelling to London town" - Beer Advocate
"A joy to read" - Roger Protz
"Very authoritative" - Tim Webb.
"One of the top beer writers in the UK" - Mark Dredge.
"A beer guru" - Popbitch.
Big Smoke Brew Co, Kingston upon Thames (London) KT6
Brewpub, now brewing outside London 87 Maple Road, Surbiton KT6 4AW (Kingston upon Thames) wbigsmokebrew.co.uk First sold beer: September 2014 Ceased brewing in London: March 2019
Ash Zobell and the aptly named Pete Brew reinvented Twickenham’s Sussex Arms as a top class beer outlet in 2010. Pete and the pub’s assistant manager Nick Blake brewed experimentally on a non-commercial basis in the back garden.
In 2014, the trio spearheaded a similar makeover of the Antelope in Surbiton, this time as a brewpub, for the same pub group as the Sussex Arms. The brewery, known as Big Smoke and overseen by Nick and Pete, operated from a converted stable block at the rear of the pub, with an 8 hl brewhouse from Pallet Brew in Horwich, expanding capacity significantly with additional fermenters in May 2016.
A wide range of beers was sold in cask, keg and bottle conditioned, with all production unfiltered, unfined and vegan-friendly. Though the brewery was primarily started to supply the pub and others in the group, the beers increasingly found their way elsewhere.
Pete and Ash left to set up the Black Dog pub in Brentford, opened in 2018 and with its own brewery, Fearless Nomad, from January 2020. Both pub and brewery are completely independent of Big Smoke.
Demand for Big Smoke beers continued to rise, necessitating some contract brewing elsewhere, and in March 2019 the brewery, still with Nick as head brewer, relocated to a much bigger site on an industrial estate in Esher, Surrey, with a new Gravity Systems 33 hl brewhouse and a canning line. Although only 6 km from the original location, this is outside Greater London, so Big Smoke has technically left the Big Smoke and therefore my area of coverage. Its previous home has been converted into an “indoor outdoor” patio for the Antelope, and the beers are still stocked here and in other pubs in the group.
Brewery 18 Manford Industrial Estate, Manor Road, Erith DA8 2AJ (Bexley) bexleybrewery.co.uk First sold beer: 25 September 2014
This operation on an industrial estate beside the river Thames, by Crayford Marshes on the edge of Erith, is the first standalone brewery in Bexley since Reffell’s was closed by Courage in 1956. It’s a family business run by former IT manager Cliff Murphy, his wife Jane, once a teacher, and their son Cameron. The local focus is evident from its mascot, a ring-necked parakeet: there are now feral colonies of these exotic birds all over London but they were first noted in Bexley.
The 10 hl brewhouse was bought new from Brewing Vessels in Stockport. Fermentation capacity has been increased though there’s room for more: the unit is currently much less cramped than many London breweries, and was the smallest suitable and affordable space the founders could find.
The industrial location isn’t particularly favourable to a taproom, especially as the estate gates close at night, though the brewery has long held occasional open days and in 2021 began opening regularly on Saturday daytimes. The Murphys had always planned a micropub as part of the business and in April 2018 opened one in Barnehurst, the Bird and Barrel (100 Barnehurst Road, Barnehurst DA7 6HG), which stocks a comprehensive range of the beers.
Beers are in cask – still accounting for 80% of sales – with some keg and bottle-conditioned. All bittering hops are from Hukins in Tenterden, Kent, though some aroma hops are imported.
For some years Bexley was host to a fermenter belonging to Brixton brewery Clarkshaws but this arrangement had ceased by 2021.
Brewery 36 Jaggard Way (taproom 44 Jaggard Way) SW12 8SG (Wandsworth) bellevillebrewing.co.uk First sold beer: 30 March 2013
Musician Adrian Thomas was prompted to become a homebrewer when he organised a beer festival as a fundraiser for his son’s school, Belleville Primary. He took things a stage further by getting together with nine other Belleville dads to set up a brewery on a small industrial estate on the other side of the railway from Wandsworth Common station.
It began with an 8 hl kit, selling mainly through local outlets. After successfully fighting off a misjudged legal threat from AB InBev in 2013, alleging infringement of its trademark for sweetened lambic Belle Vue, it expanded in the summer of 2016 with a new 24 hl brewhouse from American Beer Equipment in Lincoln, Nebraska, alongside a canning line. A taproom was opened a few doors down in January 2017.
Beers are mainly in keg and can, with a few casks for selected outlets. The US slant is acknowledged in the longstanding strapline “Beers from over there, brewed over here”.
Breweries and brewpub Original site: Duke’s, 33 Downham Road N1 5AA (Hackney) Second site: 4 Stour Road E3 2NT (Tower Hamlets), Tottenham site: 17 Lockwood Industrial Park, Mill Mead Road N17 9QP (Haringey) Former brewpub: Marketplace, Tottenham Hotspur Stadium, 782 High Road N17 0BX (Haringey) Production site: 102 East Duck Lees Lane, Enfield EN3 7SS (Enfield) beavertownbrewery.co.uk First sold beer: February 2012
Perhaps the most ambitious and restlessly expansive of new London breweries, Beavertown was founded by Logan Plant, son of Led Zeppelin singer Robert. It began with a US-style brewpub and barbecue restaurant, Dukes Brew and Que, with a 6.5 hl kit in a corner of the kitchen producing beers designed to match the food. The name was taken from the local pronunciation of De Beauvoir Town, the Hackney district where it was located. Demand for the beers steadily increased and the brewery installed extra fermentation capacity in a lock-up some distance away, transporting hopped wort by car.
On 10 May 2013, brewing relocated to a bigger site in Hackney Wick next door to the new Truman’s brewery, with the same brewhouse as at Dukes but several more fermenters. Once again demand outstripped capacity and in April 2014, the business moved again to a much bigger site on an industrial estate near the Lee Valley Park at Tottenham Hale, with a new 50 hl kit fabricated in Bulgaria and an on-site taproom. A bottling line was soon ditched as Beavertown became one of the first breweries in the UK to popularise ‘craft’ beer in cans, providing a perfect canvas for the distinctive style of designer Nick Dwyer, a former waiter at Dukes who is now creative director.
Early in 2015, the fermenters expanded into another unit opposite, also home to the brewery’s Tempus side project, where beer is aged in a variety of wooden wine barrels, Belgian-style foeders and even ceramic amphorae, and the original Dukes brewhouse, now used as a pilot kit. In December 2017, Dukes was quietly closed as it was “no longer a natural fit for Beavertown’s future”: after a brief period as Beef and Brew, in October 2019 it was reopened under its original name the Duke of York by Barworks. By now even the Tottenham plant was bursting at the seams, with some beers contract-brewed in Belgium.
In June 2018, Beavertown announced it had sold a minority stake in the company, subsequently confirmed as 49.1%, to the Dutch-based multinational brewer Heineken. The investment financed yet another expansion to a site beside the River Lee Navigation near Ponders End, not far from Camden Town‘s production brewery. Opened in August 2020, this is the biggest purpose-built brewery in London for decades, with a potential output of 500,000 hl a year. It boasts a high-end 150 hl brewhouse from Krones in Germany, 38 fermentation and maturation tanks and new canning and kegging lines, the latter capable of handling 30,000 330 ml cans per hour. From 1886, the site housed the Edison Swan Electric Light Company, where the first electronic valves were developed: the factory later passed through several hands including Philips, AEI and Thorn, before closure and demolition in 1970.
Plans for the Enfield site originally included an extensive visitor centre and taproom with a waterfront terrace, and even a promise of a boat service linking with the Tottenham site. These plans were disrupted by the 2020-21 Covid-19 lockdowns, though the production brewery has been open to the public for special events during 2021.
A third brewery in the rebuilt Tottenham Hotspur stadium opened in April 2019, using a 35 hl German-built BrauKon kit and opened as a brewpub on match days. Brewing here was suspended early in 2023 and the equipment had been removed by early 2024.
The Corner Pin, a historic landmark pub opposite the stadium, reopened as a Beavertown outlet in September 2021. Following a long closure during the Covid-19 pandemic, the taproom at the Tottenham Hale site reopened in February 2022.
In September 2022, Heineken bought the remaining 50.9% of Beavertown it didn’t already own. Logan stepped down as chief executive but remained as an “adviser”.
In December 2023, in the middle of the busiest period of the year for hospitality venues, both the Corner Pin and the Tottenham Hale taproom were closed ‘temporarily…whilst we work on improving the experience’, with no reopening dates since announced. The registered office address was changed in May 2024 from Tottenham to Enfield, prompting rumours that the former site was being wound down.
Beers are in keg and can. Previously, Tempus beers were hand-bottled in distinctive 375 ml bottles, but these appear no longer to be available.
Brewpub, no longer brewing 92 Wood Street, Barnet EN5 4HY blackhorsebarnet.co.uk First sold beer: March 2013 Ceased brewing: November 2021
This sprawling Victorian pub just outside Barnet town centre was relaunched late in 2012 by Oak Taverns, a group that runs several brewpubs outside London. The 2.5 hl brewery, in an outhouse at the side, was supplied by Iceni in Norfolk, partly recycling vessels from the old Federation brewery in Newcastle. Brewing was started with some help from XT Brewing in Thame, which is linked to the group.
Longstanding brewer Nick Zivkovic regularly provided beers in broadly traditional styles, under both Barnet and Hadley brands. Thee were usually available only in the pub on cask, with very occasional hand bottlings.
Brewing ceased in November 2021 when Oak Taverns gave up the lease on the pub and management reverted to freeholders Heineken.
Brewery Original site: 18 Druid Street SE1 2HH (Southwark) Production site: 11 Valley Point Industrial Estate, Beddington Farm Road, Croydon CR0 4WP (Sutton) anspachandhobday.com First sold beer: February 2014
When childhood friends and former musicians Jack Hobday and Paul Anspach won a homebrew competition, one of the judges, TV presenter and wine writer, Oz Clarke, suggested they turn professional. They were further encouraged when a homebrew sneakily entered in a commercial competition won a medal. Tasting samples were available under the name Alements in summer 2012 but it wasn’t until March 2014 that Jack and Paul opened the fifth new brewery in Bermondsey, restoring brewing to Druid Street after the Kernel’s relocation.
The first brewhouse was a very small 1 hl installation from ES Stainless Applications, also used by Bullfinch in its early days as a cuckoo. This was replaced only a few months later with a 4 hl PBC kit, then a new 14 hl brewhouse from Willis European was installed in 2016, with the old one sold to Affinity.
With no room for further expansion in the arch, in early 2020 A&H relocated production to an industrial unit at Beddington near Croydon, just across from Signal. The existing brewhouse was relocated here and remained in use, though with much-increased fermentation capacity and a new canning line. There is a taproom on the site though currently it opens only for special events.
The original site has been retained as a bar and barrel vault with some fermentation capacity. In in November 2018 the brewery added a pub in Camberwell, the Pigeon, but this closed in August 2022.
Further expansion followed a new crowd-funding round in November 2021, with a new nitrokeg dry stout, London Black, launched as a London-brewed alternative to big brands. This has proved a major success and has rapidly become the brewery’s best seller.
Beers are mainly keg and canned, with some specials hand-bottled in 750 ml and a small but increasing amount of cask.
This really was an idle moment, prompted by a Twitter discussion about the meaning of various words for beer measures. Self-explanatory, I hope, and comments and suggestions very welcome.
l
ml
fl oz US
pt UK
fl oz UK
Measure
Use
0.029574
29.57353
1
0.052042
1.040843
1 US fl oz
Sample measure at Great American Beer Festival and other US beer festivals
0.1
100
3.381402
0.175975
3.519508
10 cl
Sample measure at Zythos beer festival (Belgium) and some other mainland European festivals
0.142065
142.0653
4.803799
0.25
5
1/4 Imp pint, gill
Archaic Imperial fluid measure, not legal for draught beer in UK
0.147868
147.8676
5
0.260211
5.204214
5 US fl oz
Small measure used for strong beers in US specialist bars
0.15
150
5.072103
0.263963
5.279262
15 cl
Sample measure at many Belgian and Dutch beer festivals
0.18942
189.4204
6.405066
0.333333
6.666667
1/3 Imp pint, nip
Smallest legal measure for draught beer in UK, historically also used for bottled strong beers
0.2
200
6.762805
0.351951
7.039017
20 cl, fluitje (NL), Stänge (Köln), Seven (Aus)
Smallest customary draught beer measure in Germany, Netherlands, Australia, other countries
0.236588
236.5882
8
0.416337
8.326743
1/2 US pint, cup
Small customary draught beer measure in US
0.25
250
8.453506
0.439939
8.798771
25 cl, 1/4 litre, pintje (NL/BE)
Usual measure for everyday draught beer in Netherlands, Belgium and some other countries, also for everyday bottled beer in Belgium
0.284131
284.1306
9.607599
0.5
10
1/2 Imp pint
Most common small measure for draught beer in UK, legal measure including multiples, occasionally used for bottles, also found in Ireland, formerly for cans in Canada
0.285
285
9.636996
0.50153
10.0306
Middy, half (Aus)
Standardised Australian metric equivalent of Imp half-pint for draught beer
0.3
300
10.14421
0.527926
10.55852
30 cl
Typical bottle size for everyday bottled beer in Netherlands, common draught measure in some countries including New Zealand
0.33
330
11.15863
0.580719
11.61438
33 cl, 33’er (NL/BE), ≈ 1/3 litre
Usual measure for draught and packaged speciality beer in Belgium, NL, France, also common for packaged speciality beer in many other countries incl UK, Ireland
0.354882
354.8824
12
0.624506
12.49011
12 oz
Standard small beer bottle and can size in US and Canada, also sometimes used for draught measures
0.375
375
12.68026
0.659908
13.19816
37.5 cl, 1/2 wine bottle, stubby (Aus)
Small bottle size for Belgian lambic and other beers from Belgium and elsewhere in wired cork bottles; also standard small bottle size in Australia
0.378841
378.8408
12.81013
0.666667
13.33333
2/3 Imp pint, schooner (UK)
Recently legalised measure for draught beer in UK, often used for ‘craft’ beers
0.4
400
13.52561
0.703902
14.07803
40 cl
Canned and draught beer in France, also draught in Germany and elsewhere
0.425
425
14.37096
0.747896
14.95791
Schooner (Aus)
Common Australian draught beer measure
0.44
440
14.87817
0.774292
15.48584
44 cl
Mainstream canned beers in UK and some other countries, sometimes also used for craft beer
0.473176
473.1765
16
0.832674
16.65349
US pint
Customary draught measure in US, also used for some canned beers
0.5
500
16.90701
0.879877
17.59754
1/2 litre
Standard bottle size in Germany, Czech Republic, UK, Ireland, also used in many other places, customary draught measure in many parts of Germany, Austria, Czech Republic.
0.568261
568.2612
19.2152
1
20
Imp pint, chopine (Can)
Customary (and legal) draught measure in UK and Ireland, occasionally used for bottles, also sometimes used in US and Canada
0.57
570
19.27399
1.00306
20.0612
Pint (Aus)
Standardised Australian metric equivalent of Imp pint for draught beer
0.650618
650.6177
22
1.144927
22.89854
22 fl oz, bomber
Large bottle size common in US particularly among craft brewers, also can
0.75
750
25.36052
1.319816
26.39631
75 cl, 3/4 litre, wine bottle, long neck (Aus)
Large bottle size for many Belgian speciality beers and others from elsewhere, especially when in wired cork bottles; common large bottle size in Australia
0.946353
946.3529
32
1.665349
33.30697
Howler
Customary smaller measure for take-home draught beer in US and elsewhere
1
1000
33.81402
1.759754
35.19508
1 litre, Maß
Large draught measure in Germany and some other countries, particularly associated with München Oktoberfest, also for take-home draught beer and some packaged beer
1.136522
1136.522
38.43039
2
40
Quart, 2 Imp pt, pinte (Can)
Former common UK/Irish measure for draught and bottled beer, still used for takeaway “hopper” cartons, still customary measure in Canada
1.892706
1892.706
64
3.330697
66.61394
Growler
Customary measure for take-home draught beer in US and elsewhere
2
2000
67.62805
3.519508
70.39017
Metric growler
Common measure for take-home draught beer in Germany, also used in US and elsewhere
2.273045
2273.045
76.86079
4
80
1/2 Imp gallon
Relatively common size of container for takeaway draught beer in UK
3
3000
101.4421
5.279262
105.5852
Jeroboam
Large champagne-style bottle occasionally used for beer, especially in Belgium
3.785412
3785.412
128
6.661394
133.2279
US gallon
Large size container for takeaway draught beer in US and basis of other bulk measures
4.5
4500
152.1631
7.918894
158.3779
Rehoboam
Large champagne-style bottle occasionally used for beer, especially in Belgium
4.54609
4546.09
153.7216
8
160
Imp gallon
Large size container for takeaway draught beer in UK and basis of other bulk measures
5
5000
169.0701
8.798771
175.9754
Minikeg, minicask
Measure for pre-packaged take-home draught beer particularly popular in Germany, also elsewhere in Europe
6
6000
202.8841
10.55852
211.1705
Methuselah
Very large champagne-style bottle occasionally used for beer, especially in Belgium
9
9000
304.3262
15.83779
316.7557
Salmanazar
Very large champagne-style bottle occasionally used for beer, especially in Belgium
10
10000
338.1402
17.59754
351.9508
10 l, minipin (UK)
Small size of draught beer keg intenationally, also used for keykeg and bag-in-box
12
12000
405.7683
21.11705
422.341
Balthazar
Very large champagne-style bottle occasionally used for beer, especially in Belgium
15
15000
507.2103
26.39631
527.9262
Nebucadnezzar
Very large champagne-style bottle occasionally used for beer, especially in Belgium
18.92706
18927.06
640
33.30697
666.1394
5 US gal, Cornelius keg
Slimline keg devised for soft drinks though in wide use internationally by home brewers and occasionally craft brewers
19.55796
19557.96
661.3333
34.4172
688.3441
5 1/6 US gal, sixth barrel
Common small size of draught beer keg in US
20
20000
676.2805
35.19508
703.9017
20 l, polypin (UK)
Common size of draught beer keg internationally, also used for keykeg and bag-in-box
20.4574
20457.4
691.7471
36
720
4.5 Imp gal, pin
Smallest size of draught beer cask in UK
29.33694
29336.94
992
51.6258
1032.516
7 3/4 US gal, pony
Common size of draught beer keg in US
30
30000
1014.421
52.79262
1055.852
30 l
Most common size of draught beer keg internationally
40.91481
40914.81
1383.494
72
1440
9 Imp gal, firkin
Most common size of draught beer cask in UK
50
50000
1690.701
87.98771
1759.754
50 l
Large size of draught beer keg internationally
58.67388
58673.88
1984
103.2516
2065.032
15 1/2 US gal, half barrel
Large size of draught beer keg in US
81.82961
81829.61
2766.988
144
2880
18 Imp gal, kilderkin
Large size of draught beer cask in UK
100
100000
3381.402
175.9754
3519.508
Hectolitre (hl)
Standard international brewers’ bulk measure, rare as an actual container
117.3478
117347.8
3968
206.5032
4130.064
31 US gal, US barrel
Standard US brewers’ bulk measure, now rare as an actual container
163.6592
163659.2
5533.977
288
5760
36 Imp gal, Imp barrel
Standard UK brewers’ bulk measure, now rare as an actual container
Here’s a challenge to the pub resurrectionist: The Spanish Steps, Woodpecker Road, London SE14, derelict for many years.
Anyone taking an interest in the discussion around beer and pubs in the UK over the past few years must surely have experienced cognitive dissonance. On the one hand, there’s a steady stream of gloomy pub closure stories and predictions of the death of the pub. On the other, there’s the astonishing surge in brewery numbers, now at around 1,700 or so, reflecting an unprecedented rise in popularity of specialist and ‘craft’ beer. According to statistics, since the early 1980s the UK seems to have lost 17,000 pubs while gaining a good 1,500 breweries.
These apparently conflicting trends don’t only cause confusion, they also sometimes provoke acrimony and misunderstanding. Judging by some of the strongly-worded postings on social media, pub campaigners are frustrated with what they perceive as the indifference and complacency of many on the beer scene, including beer bloggers and even CAMRA, to the supposed crisis facing pubs. Surely, runs the argument, if you care about beer you must also care about pubs? The two self-evidently go together, right?
Well, not necessarily. Of course, there is a link between pubs and beer, but that link is an accident of history, and has never been exclusive – so long as there have been pubs in the way we recognise them today, there have also been ways of enjoying beer outside them. And the link is now being loosened still further by the same changing patterns of consumption that have reduced the customer base of many pubs.
Failing pub rescued: Jolly Butchers, London N16.
Historically beer was predominantly a bulk product, consumed on draught in a social space outside the home. The pre-eminence of draught beer in the consciousness of English beer campaigners has been bolstered by two other noteworthy features of the local brewing industry. One is the tied house system, which developed in the second half of the 19th century and ensured that by the start of World War I, most pubs in England and Wales (but not in Scotland, nor in most other European brewing nations) were owned by brewers. While some were directly managed by breweries, many were leaseholds – independent businesses obliged to source beer and sometimes other drinks too from the owning brewery in exchange for a discounted rent.
The second, not unrelated to the first, is the importance of cask beer, which, if you ignore the minor niche occupied by the mini-cask and the polypin, is exclusively a bar-based product. Cask only makes sense where there is sufficient demand to ensure a relatively large quantity is consumed quickly. This is the reason always given for why CAMRA, by origin a campaign for better beer, has also campaigned almost since the beginning for better pubs. If you want cask, then you need pubs to serve it.
But beer in individual-sized portions – ‘packaged beer’, as it’s known in the industry – has been around a long time too. Samuel Pepys was enjoying bottled ‘Hull ale’ in 1660. Two centuries later, new technology made mass production of bottles possible, and by the end of the 19th century – over about the same period the tied house system developed, as it happens – bottled beer became an everyday commodity rather than a luxury.
Pub? bar? bottle shop? Just a great place to enjoy great beer. Mother Kelly’s, London E2.
In the early 20th century, some in the industry predicted that draught beer would soon be rendered obsolete, replaced by bottles and cans in the ‘on’ as well as the ‘off’ trade. Before the rise of pasteurised keg beer in the 1950s and 1960s, many brewers actively promoted packaged beer, which compared with cask offered higher margins, a longer shelf life and increased stability and consistency. Packaged beer may have long been the secondary format but sales were nonetheless substantial: 36% of all sales by volume in 1959.
Back then, the breweries and their tied houses dominated both sides of the trade. This was the age of the ‘jug and bottle’, when beer to take home was typically bought in a physically separate section of a pub designated for off-sales, with its own entrance from the street. The range on offer was as limited as the range in the main part of the pub. That changed in the later part of the 20th century, first with high street off-license chains offering a wider range of drinks, especially wine, and then with the rise of supermarket alcohol retailing. By 2015, 51% of beer was sold through the off-trade.
But bottles and cans aren’t just for home consumption. They also enable other outlets, perhaps open limited hours or with relatively low volumes of beer sales, to offer a choice of beers economically. One phenomenon often overlooked in discussions of pub closures is the spread of great beer beyond the pub, to restaurants, coffee shops, specialist food shops, entertainment venue bars, farmers’ markets and one-off events, in packaged and sometimes in ‘craft keg’ form’.
The development of more diverse routes to market, including direct sales through brewery shops and taprooms, partly explains how new breweries manage to flourish in an age of declining pub numbers. And of course, there’s nothing to stop pubs themselves stocking a wider range of packaged beers, as a way of offering variety while reducing the risk of being left with unsellable stock. While there’s a historic resistance in the UK to drinking bottles in pubs, this is beginning to change along with many other aspects of our beer culture.
Still, if you care about the retention of cask as a format, which you should if you care about beer, then you should still care about the maintenance of a healthy on-trade sector with enough turnover to keep cask viable. A quality beer in an appropriate style served in good, fresh condition from the cask, cellar-cool and with a definite but relatively gentle carbonation, offers something that still can’t be replicated in any other format.
While a good brewer should be able to ensure the perceived differences between the ‘same’ beer in keg and packaged form are minimal, the same can’t be said of cask, as drinkers of bottles branded with big cask names soon discover. Even bottle- (or can-) conditioned beer normally has a higher level of carbonation, which can’t be released until the package is opened.
Great beer in unexpected places, including this Hackney market.
So should beer lovers be concerned with pub closures? On the face of it, yes. British Beer and Pub Association (BBPA) figures show the total number of UK pubs has dwindled from 67,800 in 1982 to 50,800 in 2015, a reduction of 25%. CAMRA reports the rate of pub closures has slowed over the last couple of years, from 27 a week at the end of 2015 to 21 a week six months later, but this is still a substantial number which if sustained over the next decade would reduce the overall total to around 40,000. It’s worth underlining that CAMRA says these are net figures, also taking account of pub openings.
Why is this? Pub campaigners tend to point the finger at public policies such as the smoking ban, high alcohol taxation and a regulatory framework that has led to the big pub operating companies, or pubcos, dominating the market. But evidence of the impact of the smoking ban either way is inconclusive, and alcohol taxes apply to both the on- and off-trades so don’t entirely explain why the latter is apparently flourishing at the expense of the former.
Worries about pubcos are perhaps more firmly founded. They are the legacy of the last major public policy intervention in the industry, the 1989 Beer Orders, which were supported by CAMRA and many other pro-beer and pro-pub activists at the time. The regulations restricted the number of brewery-tied pubs and forced breweries with big pub estates to allow their leaseholders a guest beer. The industry responded by dismantling the tied house system, with many old-established breweries splitting their pub owning and brewing businesses and withdrawing from either one or the other.
Most formerly brewery-owned leasehold pubs have ended up in the hands of a small number of pubcos which don’t brew but still retain their exclusive right to supply beer. They can negotiate favourable bulk deals with brewers then sell the beer on at a substantial mark-up, often charging leaseholders half as much again and occasionally even twice the price free-of-tie pubs pay when buying from the brewery directly.
Perhaps more damagingly, pubcos are controlled by financial rather than brewing interests, whom critics allege have no real interest in pubs and brewing except as abstract financial assets. Rather than investing in pubs as ongoing viable businesses, they are more likely to sell them off for conversion to other uses and make a quick return for shareholders and creditors. There are numerous stories of pubs being deliberately run down so a pubco can justify closing and selling them.
So there are certainly problems with the pubco model, which has distorted the market and has doubtless resulted in the loss of at least some well-used and well-loved pubs. On the other hand, there are numerous flourishing pubco pubs, and supporters of the system argue that, thanks to the reduced rents, it offers a low-cost way in to the business for aspiring licensees. Pubco leaseholders are grownups who should know what they are getting into. The latest regulatory attempt to address some of the issues with pubcos is the Market Rent Option (MRO) introduced last year as part of a new pubs code. This gives leaseholders the right to free themselves from the tie by paying a higher rent, as agreed with a regulator – though its implementation has been slow and dogged by controversy.
Micropub: a 21st century reinvention of the alehouse. The Long Pond, London SE9.
But even if the problems with pubcos were fixed, I’m not convinced this would reverse a broader social trend that has been going on for much longer than many contributors to the debate acknowledge. At the start of the 20th century the UK had almost 100,000 pubs and aside from an upward blip after World War II the numbers have declined ever since. The most obvious correlate is the decline in overall alcohol consumption over the same period. Despite moral panics about binge drinking, we are a much soberer society than we’ve ever been. When we do drink, we’re more likely to be discriminating about what we drink. Given the potential harmful effects of excessive or inappropriate alcohol consumption, that can only be a good thing.
The social patterns of drinking and pub use have correspondingly changed. One reason working class communities once patronised pubs so enthusiastically was that they were much more attractive – brighter, warmer, better-furnished and less boring – than the home. And the fact that even people on low incomes now generally live in much better conditions and have access to a much more diverse range of entertainment and culture than their predecessors of even fifty years ago is also a good thing.
Pubgoing has changed from being an everyday habit to a special occasion treat, and people’s expectations have risen as a result. They’re more likely to want decent food, a high standard of service, a good variety of quality drinks, comfortable surroundings and other attractions like events and activities. They’re much less likely to default to the ‘local’, and instead will seek out destination pubs which meet their requirements.
A closer inspection of the statistics bears this out. CAMRA’s 2016 figures showed that, while over 50 pubs a week were closing in the suburbs, high streets were losing only one pub a week, while “the number of branded food pubs and modern style pubs and bars have seen an increase”. In 2015, I researched the fate of 12 pubs named as the best in London in a 1967 book, and was surprised, given the prevailing discourse around pub closures, to find 10 of them still open, with one closed back in the 1970s. But then in 1967 these were already pubs extraordinary enough to feature in guidebooks. The same didn’t apply to the dozen or so former locals within a few minutes’ walk of my flat in a relatively deprived part of southeast London which are now flats, bookies and convenience stores.
Cutting out the middleman in the brewery taproom. Hammerton brewery, London N7.
Some pub campaigners claim that, given a fair deal and some tender loving care, any pub can be viable. But while there are certainly some remarkable examples of pubs that have been turned around by investment and good management, often by putting a special focus on beer and/or food, I doubt that all those 17,000 lost since the 1980s could have remained in business. The hard truth is, as a society we need fewer pubs than we once did, and we need different things from our pubs too, rendering many of the existing ones unfit for purpose.
You don’t have to look too hard at the rhetoric around pub closures to understand that the concerns of many campaigners are at least as much to do with resistance to the social change the loss of pubs represents than with the loss of the facilities and services they provide. That’s why discussion is often couched in terms of tradition and heritage, quoting commentators from the first half of the 20th century like Hilaire Belloc (“But when you have lost your Inns drown your empty selves, for you will have lost the last of England”) and George Orwell as if they are obviously relevant to contemporary concerns.
Typically, pubs are identified as “a uniquely British institution…and a vital part of the British way of life,” though with no convincing explanation as to how they differ from their equivalents in other countries (including in Scotland, where ‘British’ pub culture takes a noticeably different form). That is, unless you’re convinced by the claim on CAMRA’s website that people talk to each other more in British pubs than in Belgian beer bars because the latter offer table service. It’s no great surprise to discover UKIP has its own Save the Great British Pub campaign, fronted by ex-leader Paul Nuttall.
For those whose main interest is in saving the pub as a vaguely-defined cultural institution that somehow speaks to Britishness, it’s no comfort to know that failing pubs have flourished by becoming food-led, that bottle shops are installing draught lines and adding on-licenses, that micropubs are mushrooming in market towns, that the majority of newly-opened breweries are welcoming drinkers to taprooms, nor that the local gourmet restaurant is doing a roaring trade with the local microbrewery’s bottles and cans. The only pub worth saving is the ‘wet-led’ pub of the popular imagination, where drink accounts for the lion’s share of sales, in a purpose-built building, with wizened regulars glued to the bar stools and a scattering of preserved Victorian fixtures and fittings.
The problem is that, like most institutions claiming to have centuries of unbroken tradition behind them, this conception of the pub soon withers in the glare of a historical perspective. Pubs are commercial enterprises that have survived by adapting to changing social circumstances. Pubs today are not really anything like the alehouses, inns and taverns of earlier times, and even if they preserve ancient physical fabric – which is rare, as nearly all of them were mercilessly and unsentimentally torn down and rebuilt for commercial reasons at the end of the 19th century or later – they are no longer used in the same way.
As Jessica Boak and Ray Bailey’s recent book 20th Century Pub shows, even in the past century pubs have reinvented themselves many times over. The food-led pub, for example, is not a new thing but has a precedent not only in the inns of the 18th century but in the improved pubs and roadhouses of the early 20th. Today’s ideal of a traditional pub is I suspect a product of the rose-tinted memories of the first wave of modern beer and pub campaigners in the 1970s. As often with ‘tradition’, our nostalgia doesn’t stretch back more than a couple of generations.
Pub as architectural exhibition: the magnificent Warrington, London W9.
That doesn’t mean that the physical fabric of purpose-built pubs isn’t worth saving. I’m as delighted as anyone at spotting a late Victorian neo-classical carved oak back bar or some stained glass from the ‘Brewer’s Tudor’ period. But this is about preservation for aesthetic and educational reasons, in the same way we should approach other aspects of our built heritage. While it’s a good thing that at least a few pubs with multi-room layouts survived the great levelling of the 1960s, they are no longer used in the way they were intended to be. And that too is a good thing, unless you’d like to see a return to the days when factory workers were obliged to use the public bar, only bosses were allowed in the lounge and the ladies’ room meant what it said on the engraved glass door.
Of course, pubs aren’t just places for drinking. As campaigners are fond of pointing out, they are community spaces too, public places for talking and meeting, whether informally or for organised activities from sports and games to political meetings. But the idealised view of the inclusive community pub of the past, where everyone was welcome, is not only contradicted by the facts of physical segregation in pubs at least up until World War II, but by the lived experience of anyone who found themselves outside the prescribed normality of the communities that used them.
I reached pub-going age in the second half of the 1970s. I wasn’t yet out as a gay man, but I was mildly unconventional and decidedly non-macho. Most pubs in the small Home Counties town where I lived, far from being welcoming and inclusive places, were off-limits to me and anyone like me, on pain of anything from tacit hostility to actual violence.
And I was at least white and male. There were very few pubs where women could go on their own and expect to be treated decently, and I can’t think what it must have been like for the small minority of non-white people who formed part of the community at that time. Pubs openly displaying ‘No travellers’ signs could be seen in England into the 1990s. In the days when large scale industry dominated the economy, when social conformity was seen as essential to efficient capitalist production, pubs were one of the spaces where the working class policed itself.
What happened in practice was that as communities became more diverse and heterogenous, some pubs pillarised themselves into catering for subgroups – gay pubs, Irish pubs, West Indian pubs – or people found alternative spaces to fulfil the social functions of pubs, such as cafés, community centres, places of worship or even the street. One obvious issue, often cited negatively in some of the less savoury commentary on the decline of pubs, is that even with the best of intentions, venues centred around selling alcohol have a limited appeal to those from cultures traditionally disapproving of its consumption. As The Economist points out, the London Borough of Newham, where 35% of the population is Muslim, has lost more than half its pubs in recent years. But that doesn’t mean the local community is any less engaged or coherent.
Community pub for a changing community: Ivy House, London SE15
As the makeup of communities has changed, so the ‘community pub’ has adapted to suit them. One often-cited example of a successfully rescued community pub is the Ivy House in Nunhead, London SE15, the first English pub registered as an Asset of Community Value (ACV) and now owned by a coop with 371 shareholders. It’s a splendid place with a very good beer offer where I feel quite at home, but the way it looks and works today is inescapably a reflection of the gentrification of the surrounding streets by young professionals and workers from the creative industries. The campaign to save it was boosted enormously by the involvement of several local lawyers. I’m sure a Rotherhithe docker transported through time from the 1950s would be given a friendly welcome, but I doubt he’d feel entirely comfortable.
The term ‘pub’ or ‘public house’ derives from a licensing category: a place selling beer and other alcoholic drinks to the public for consumption on the premises, without the need to eat, stay overnight or become a member. If this is what we mean by ‘pub’, and not some mythical ancient institution, then what we are witnessing is not the death of the pub, but another chapter in the lengthy story of its evolution. As always, the new forms that emerge may not please everyone, but I’m confident that so long as there is a demand for drinking beer in a social space, there will be pub-like establishments to cater for it.
Meanwhile, there’s no doubt that keen beer drinkers have never had it so good, particularly those in metropolitan areas. Though there are ongoing issues with cask quality, there are more pubs serving an astonishing variety of great beer in all formats than ever before. Even many chain and pubco pubs now offer something of interest, and that’s before considering the many new and non-traditional places with great beer in stock. In contrast, I doubt most of the dozen or so closed pubs near my flat offered anything more interesting than the occasional bottle of Nigerian Guinness.
In these circumstances, it’s not surprising that doom-mongering about pub closures fails to resonate with many beer lovers. For those of us primarily interested in the continued and growing availability of great beer, the focus must be on matters like beer quality (cask and otherwise), educating the consumer to make informed demands, raising standards of service and staff training, and issues of labelling and provenance. There are also good reasons to oppose the pubco tie, contest the increasing political influence of neo-prohibitionists and support reductions in alcohol taxation.
But if what we’re being asked to do is something different, and more about preserving a supposed cultural institution than ensuring outlets for good beer, then let’s be honest about that. If pub campaigners believe that everyone who loves beer should also love the ‘Great British Pub’, then they need to set out the case for our support, not simply assume they are entitled to it.
Another review from the archive written for the pioneering Oxford Bottled Beer Database (OBBD). I’ve left it uncorrected — so please read it in that historical spirit.
The beer is still in production, though at a slightly lower strength. It’s an Erkend Belgisch Abdijbier, brewed under license from the Sint-Bernardusabdij, a Cistercian monastery in Bornem. Re-reading my tasting notes, I would guess this bottle was unintentionally infected with lactic bacteria.
A disappointing dark abbey double from one of Belgium’s medium-sized independents, also known for brown ales and other abbey beers such as the well-known Corsendonk Pater/Monk’s Dark. The beer is lively, with a deep claret colour with a good dense head and a winey, creamy, yeasty aroma.
Initially the taste is promising, combining classic double richness with the sweet-sour flavours found in the brewery’s brown ales like Vlaamse Bourgogne: nutty malt flavours mix with hints of treacle, banana, chocolate and leather, with a tingly hoppiness mixing with chocolate on the finish.
So far so good, but after a few swallows things go wrong, with unpleasantly bitter orange-peel flavours and a mineral-like iodine quality starting to dominate, making for a slightly sickly effect when coupled with the sweetness and the unusually high strength.
The beer seems to have the makings of something good, but strongly-flavoured products often tread dangerously on the border between exquisiteness and unpleasantness, and in this case the risk doesn’t pay off, for me at least. Or maybe I had a bad bottle.
ABV: 6.5% Origin: Amsterdam, Noord-Holland, Netherlands Date: 16 April 2001
Another review from the archive written for the pioneering Oxford Bottled Beer Database (OBBD). I’ve left it uncorrected — so please read it in that historical spirit.
The Dutch beer scene has changed hugely since the first small crop of microbreweries in the 1980s and 1990s. Among these pioneers was Amsterdam’s Maximiliaan brewpub in Kloveniersburgwaal, which opened in 1992 in a heritage building on part of the site of the Bethany monastery or Bethaniënklooster on the city’s Oudezijd or Old Side. Its name referenced the fact that Holy Roman Emperor Maximilian I was also ruler of the Burgundian Netherlands in the late 15th century.
Despite some success, Maximiliaan closed not long after I wrote this review, in 2002, unable to afford a rent hike by the building’s owners, the not-for-profit heritage management foundation Stadsherstel Amsterdam. Thankfully the site wasn’t lost to brewing: the owners of the Beiaard specialist beer pub chain took on the business including the brewhouse and reopened it in 2004 under the name De Bekeerde Suster, or ‘converted sister’, a reference to the former religious community on the site. It’s still open today though the current Meibock uses a different recipe.
This is a strong spring beer from one of Amsterdam’s two micros, the Maximiliaan brewpub in the heart of the red light district. I didn’t sample it on home territory, however, but in Café Belgique, a tiny but welcome retreat hidden away within spitting distance of the madness of Damplein, which prides itself on supporting local independents as well as the Belgian imports suggested by its name.
The beer is a fine golden colour with a beautiful thick head and an aromatic hoppy aroma with a hint of lime and a lychee-like spiciness that suggests Alsatian Gewürztraminer wine. The palate is firmly malty with a creamy texture; then assertive bitter hops emerge, mixing with aromatic fruity hints. Further hops develop in the finish, but
soon soften to pineapples and cream. A serious beer with a sense of fun and a great way to welcome the spring.
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